indeed like kord concluded, the strategy of horror films is to elicit the guilt by making the audience identify themselves with the persecutor rather than the victims. beyond the scopophilia and identification/allegiance, this film is also multilayered regarding to the speciality, the death, the corporeality, the psychoanalysis and cine-reflexivity
此分打给非大陆版仅以5星致敬最最认真最最才思敏锐最最有想象力最最nice的爷爷甚至个人觉得他拍从《班长哭着说不能三根一起》开始绣榻春风已经是非常纯粹干净的自我表达了PS:从来不觉得电影只是消费品电影一定具有消费品以外的其他属性的所以所有糟蹋艺术的人plz GO TO THE FXXKING HELL: )