极冷女性凝视下的男权社会灰色地带非正常亲密关系的代价及其情感后果边缘群体的人生坍塌始末明明是非常摩登与现实的题材女主性格设定也极为对味但创作团队似乎不具备将角色立体化的能力对女主冷静、自利、聪明、野心的塑造用力过度无人在线观看完整免费版视频导致人物失去血肉感即使加了“拿果汁的手颤抖”和“在浴室里痛哭”的细节也无力回天反而显得out of character
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.